Kinaesthesia is a striking essay film that dives into cinema’s power to move the mind. Inspired by film historian Vlada Petrić, it traces a dream‑like journey through early cinema’s most visionary moments. From the fluid poetics of French Impressionism (Abel Gance, Jean Renoir) and the stark intensity of German Expressionism (F.W. Murnau, Fritz Lang) to the rhythmic force of Soviet montage (Sergei Eisenstein, Oleksandr Dovzhenko), the surreal provocations of the Avant‑garde (Luis Buñuel, Salvador Dalí, Maya Deren), and the kinetic brilliance of silent comedy (Charlie Chaplin, Buster Keaton), the film reveals how these pioneers used every cinematic tool available to spark sensory‑motor responses in the viewer.
Petrić’s theory of kinaesthesia—cinema’s ability to generate the sensation of movement, just like dreaming—comes alive in a vivid, kaleidoscopic celebration of film’s earliest innovators. The result is an illuminating, playful, and deeply affectionate love letter to the art of cinema.
CHAPTER CINEMA
